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A master's thesis from Aalborg University
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The politics of beauty: How body manifestations within selected TV-series of popular culture challenge contemporary beauty ideals

Authors

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Term

2. Term (Master)

Publication year

2020

Submitted on

Pages

186

Abstract

Dette speciale undersøger, hvordan tre nyere tv-serier fra populærkulturen—Tales of the City (2019), Insatiable (2018–2019) og Dietland (2018)—fremstiller kroppe og kommenterer nutidens skønhedsidealer på tværs af køn, seksualitet, etnicitet og udseende. Vi læser kroppens iscenesættelser som tegn, der kan fortolkes, for at forstå, hvilken kropslig kommunikation serierne formidler. Tilgangen er poststrukturalistisk, dvs. at skønhedsidealer ses som noget foranderligt frem for fast. Inden analysen skitserer vi kort den historiske udvikling af vestlige kropsbilleder og skønhedsidealer og viser, hvordan forestillinger om skønhed har været brugt til at regulere mennesker. I analysen trækker vi på queer teori (der udfordrer normer for køn og seksualitet), narcissisme- og identitetsteori (om, hvordan selvbillede formes), skønhedsmyten (kritik af skønhed som socialt pres) og begrebet governmentality (hvordan magt og normer styrer adfærd). Disse perspektiver bruges til at belyse, hvordan kroppen påvirkes af samfundets billeder af, hvad der er ønskværdigt og acceptabelt. Vores fund viser, at seriernes kropsfigurer og -ikonografier udfordrer snævre kropsbilleder og skønhedsidealer, som er forankret i traditionelle forestillinger om maskulinitet og femininitet. De kritiserer også manglende mangfoldighed i medier og skønhedsindustri og afspejler dermed samtidige bevægelser for kropspositivitet og kønsaktivisme, der arbejder for mere inkluderende repræsentationer. Samtidig problematiserer serierne en overdreven samfundsmæssig kropsfokusering: Jagten på perfektion kan blive en form for dyrkelse, hvor moralske vurderinger knyttes til kroppen, og hvor kroppen nogle gange træder i stedet for religiøs mening. Overordnet peger serierne på, at denne stærke kropsfiksering kan skade den enkelte ved at skabe følelser af utilstrækkelighed og eksistentiel tomhed, fordi den perfekte krop i sidste ende er en uopnåelig fiktion.

This thesis examines how three recent TV series from popular culture—Tales of the City (2019), Insatiable (2018–2019), and Dietland (2018)—portray bodies and comment on today’s beauty standards across gender, sexuality, ethnicity, and appearance. We read bodily portrayals as signs to be interpreted, in order to understand the kinds of bodily communication the series convey. Our approach is post-structuralist, meaning we treat beauty ideals as shifting rather than fixed. Before the analysis, we briefly outline the historical development of Western body images and beauty ideals, and how ideas of beauty have been used to regulate people. In the analysis, we draw on queer theory (which challenges norms of gender and sexuality), theories of narcissism and identity (how self-image is formed), the beauty myth (critique of beauty as social pressure), and the notion of governmentality (how power and norms guide behavior). These perspectives help show how bodies are shaped by society’s images of what is desirable and acceptable. Our findings indicate that the series use bodily figures and iconographies to challenge the narrow body images and beauty ideals rooted in traditional ideas of masculinity and femininity. They also criticize the lack of diversity in the media and the beauty industry, and thus mirror contemporary movements for body positivity and gender activism that promote more inclusive representation. At the same time, the series question an excessive societal focus on the body: the pursuit of perfection can become a kind of worship, attaching moral judgment to bodies and sometimes replacing religious meaning. Overall, the shared message is that intense body focus harms individuals by fostering feelings of inadequacy and existential emptiness, because bodily perfection is, in the end, an unattainable fiction.

[This abstract was generated with the help of AI]