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A master's thesis from Aalborg University
Book cover


THE EXPERIENCES OF FOUR EUROPEAN MUSIC THERAPISTS WITH LOCAL DISADVANTAGED CHILDREN IN GULU'S SOCIO-CULTURAL POST-WAR CONTEXT: A COMMUNITY MUSIC THERAPY POINT OF VIEW

Author

Term

4. term

Publication year

2013

Submitted on

Pages

134

Abstract

This study reinterprets the experiences of four European music therapists who volunteered in a music therapy program with local disadvantaged children in Gulu, Northern Uganda, through the lens of Community Music Therapy (CoMT). CoMT is a relatively new approach in music therapy that emphasizes socio-cultural sensitivity and the role of culture and context in shaping locally grounded (situated) practice. These qualities provide a useful framework for work in an unconventional setting like Gulu’s socio-cultural, post-war context. Methodologically, the study uses a phenomenological (experience-focused) analysis of the researcher’s field notes and interviews with three of the therapists. Recurring patterns in their experiences are examined using CoMT principles to explore how the framework can guide a context-sensitive music therapy practice. Finally, the study suggests action research—a cyclical process of planning, acting, observing, and reflecting with local stakeholders—as a promising path forward in Gulu.

Denne undersøgelse genfortolker erfaringerne fra fire europæiske musikterapeuter, der har arbejdet frivilligt i et musikterapiprogram med lokale, udsatte børn i Gulu i Norduganda, set gennem Community Music Therapy (CoMT). CoMT er en nyere retning i musikterapi, der lægger vægt på socio-kulturel sensitivitet og på, hvordan kultur og kontekst former en lokal, situeret praksis. CoMT’s kvaliteter giver et nyttigt rammeværk for at udvikle praksis i en usædvanlig ramme som Gulus socio-kulturelle post-krigskontekst. Metodisk bygger studiet på en fænomenologisk (erfaringsfokuseret) analyse af forskerens feltnoter samt interviews med tre af musikterapeuterne. De tilbagevendende mønstre i deres oplevelser bliver tolket i lyset af CoMT for at vise, hvordan rammeværket kan støtte en konteksttilpasset musikterapipraksis. Afslutningsvis peger studiet på handlingsforskning – en cyklisk proces med planlægning, handling, observation og refleksion sammen med lokale aktører – som en lovende vej frem i Gulu.

[This apstract has been rewritten with the help of AI based on the project's original abstract]